A practical development note on importing performance scripts and preserving useful theatrical structure without forcing a rigid format.
This note is part of the Sténtor research notebook. Full articles will be published as the project moves through real rehearsals, audience tests and live-performance use.
For now, the notebook documents the questions guiding the work: how performance text is prepared, how it is cued live, how audiences receive it on screens or personal devices, and how feedback can become shared knowledge.