Why Sténtor starts from the room
A note on designing surtitles, translations and audio descriptions from the perspective of rehearsal rooms, live timing and audience presence.
Research notes, development updates and practical reflections on surtitles, translation, audio description and shared knowledge around live performance.
A note on designing surtitles, translations and audio descriptions from the perspective of rehearsal rooms, live timing and audience presence.
Why Sténtor uses a support and donation model instead of locking core theatre tools behind feature tiers.
Personal devices can become part of a live-text system without replacing the theatre: they extend how audiences receive language, access and context.
Audio-description notes are easier to prepare, revise and cue when they remain attached to the performance text and its live structure.
Early observations on connecting operator view, screens and audience phones over a local network in a room setting.
A practical development note on importing performance scripts and preserving useful theatrical structure without forcing a rigid format.
Short notes from rehearsals, audience tests and live performances help shape the software and the research behind it. No newsletter required: just write when there is something useful to share.
Blog and changelog stay public; direct contact is enough for now.